NOC:Appreciating Hindustani Music

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Media Storage Type : 32 GB USB Stick

NPTEL Subject Matter Expert : Prof. Lakshmi Sreeram

NPTEL Co-ordinating Institute : IIT Madras

NPTEL Lecture Count : 56

NPTEL Course Size : 13 GB

NPTEL PDF Text Transcription : Available and Included

NPTEL Subtitle Transcription : Available and Included (SRT)


Lecture Titles:

Lecture 1 - Hindustani Music - A World of Colour, Romance and History
Lecture 2 - Classical or Shastriya - What's in a Name!
Lecture 3 - Dhrupad, Khayal and Instrumental Music: A Bird's-eye View
Lecture 4 - Hindustani Music is Raga Sangeet
Lecture 5 - The Textual Tradition
Lecture 6 - Swara and Shruti: Tone and Microtone
Lecture 7 - Swara and Shruti in the Textual Tradition
Lecture 8 - Tanpura - The King of Overtones
Lecture 9 - Entering the World of Raga - Raga and Swara
Lecture 10 - The World of Raga-2: Strong and Weak Notes
Lecture 11 - The World of Raga-3: Ornament
Lecture 12 - The World of Raga-4: Paths of a Raga
Lecture 13 - Raga and Time Association
Lecture 14 - Raga-Lakshana or Features of Raga
Lecture 15 - Defining Raga
Lecture 16 - Classification of Ragas - The Mela or Thaat System
Lecture 17 - Classification of Ragas - The Raagaanga System
Lecture 18 - Classification of Ragas - Raga Ragini System
Lecture 19 - Extending the Raga Corpus - Winds from the South
Lecture 20 - Extending the Raga Corpus - Jod Ragas
Lecture 21 - Principles of Time in Hindustani Music - Tala and Laya
Lecture 22 - Some Aspects of Tala and a Few Important Talas
Lecture 23 - Tabla as Keeper of Tala in Khayal
Lecture 24 - Khayal, A Compositional Form - 1
Lecture 25 - Khayal, A Compositional Form - 2
Lecture 26 - Khayal Compositions by Contemporary Composers
Lecture 27 - The Vilambit Khayal
Lecture 28 - Tarana and Trivat
Lecture 29 - Raga Vistaar or Badhat - Improvisation in Khayal
Lecture 30 - Ashtaanga of Khayal - The Many Limbs of a Khayal Presentation
Lecture 31 - A Typical Khayal Concert
Lecture 32 - Gharanas - Schools/Styles of Khayal
Lecture 33 - Gharanas of Khayal - An Introduction
Lecture 34 - Gharanas of Khayal - Early Masters
Lecture 35 - Gharanas of Khayal - Twentieth Century Masters
Lecture 36 - Lectuer Demonstration by Pt.Sathyasheel Deshpande
Lecture 37 - Melodic Accompaniment in Khayal
Lecture 38 - The Harmonium as Accompaniment for Khayal-Guest Lectuer
Lecture 39 - Dhrupad and Khayal - Some Comparative Remarks
Lecture 40 - Dhrupad - An Overview
Lecture 41 - Dhrupad - Style and Structure
Lecture 42 - Dhrupad - Aalaap
Lecture 43 - Dhrupad - Song Texts in Different Talas
Lecture 44 - Dhamaar - A Compositional Form
Lecture 45 - Sadra - A Compositional Form
Lecture 46 - The Enchanting World of Thumri
Lecture 47 - Instrumental Music - A Brief Overview
Lecture 48 - The Sitar - The Instrument, Technique and Presentation
Lecture 49 - The Sarod - A Lecdem
Lecture 50 - Art of the Tabla - Introduction
Lecture 51 - Art of the Tabla - The Instrument, Its Vocabulary and Diverse Roles
Lecture 52 - Art of the Tabla - Gharanas and Repertoire: Peshkaar and Quaaidaa
Lecture 53 - Art of the Tabla - Gharanas and Repertoire: Qaaidaa, Relaa, Gat, Tukdaa
Lecture 54 - Art of the Tabla - Non Extendable Compositions
Lecture 55 - Bhakthande and Paluskar - The 20th Century Reformers of Hindustani Music
Lecture 56 - Hindustani Music in a World of Millions of Views

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