Media Storage Type : 32 GB USB Stick
NPTEL Subject Matter Expert : Dr. Lakshmi Sreeram
NPTEL Co-ordinating Institute : IIT Madras
NPTEL Lecture Count : 71
NPTEL Course Size : 16 GB
NPTEL PDF Text Transcription : Available and Included
NPTEL Subtitle Transcription : Available and Included (SRT)
Lecture Titles:
Lecture 1 - The Body of Music
Lecture 2 - Music everywhere finding the classical
Lecture 3 - Classical Music Art Music
Lecture 4 - Music through Melody & Music through Harmony
Lecture 5 - Musical Material A Hard Look
Lecture 6 - Musical material Mo2
Lecture 7 - Carnatic Music as Raga Music
Lecture 8 - Understanding Raga - Part I
Lecture 9 - Understanding Raga - Part II (Raga and Swara)
Lecture 10 - Understanding Raga - Part III A Glimpse into Gamaka (Ornamentation) and Phraseology
Lecture 11 - Swara in the Sanskrit Textual Tradition
Lecture 12 - Sruti in Sanskrit Textual tradition
Lecture 13 - Tambura
Lecture 14 - Gamaka I
Lecture 15 - Gamaka II
Lecture 16 - Gamaka III
Lecture 17 - Gamakas IV
Lecture 18 - Raga and Phraseology
Lecture 19 - Raga - some basic expectations
Lecture 20 - A string of Ragas and a teaser
Lecture 21 - Raga in the textual tradition
Lecture 22 - Classification of Ragas I
Lecture 23 - Classification of Ragas II
Lecture 24 - Mela system of classifying raga-s
Lecture 25 - Generating the 72 mela-s
Lecture 26 - Application of 72 mela
Lecture 27 - Katapayadi Naming the 72 melas
Lecture 28 - Vivadi I
Lecture 29 - Vivadi II
Lecture 30 - Raga - Circles and Triangles
Lecture 31 - Laya: temporal discipline in music.
Lecture 32 - Tala an Introduction to the Concept
Lecture 33 - More on Tala and laya
Lecture 34 - Aspects of Tala - I
Lecture 35 - Aspects of Tala - II
Lecture 36 - Aspects of Tala - III
Lecture 37 - Aspects of IV
Lecture 38 - Composition in Carnatic Music
Lecture 39 - An Introduction
Lecture 40 - Varnam and laya intricacies
Lecture 41 - Kriti the premier compositional form in Carnatic music
Lecture 42 - Kriti some basic features
Lecture 43 - Precursors to the Kriti
Lecture 44 - Bhakti and Carnatic Music: Metaphor, World view and Yearning in Carnatic compositions.
Lecture 45 - Tanjavur and the Carnatic Trinity
Lecture 46 - Tyagaraja, the Vaggeyakara
Lecture 47 - Tyagaraja and His Many Moods -I
Lecture 48 - Tyagaraja and His Many Moods II
Lecture 49 - Muthuswami Dikshitar an overview
Lecture 50 - Muthuswami Dikshitar the Sanskirt Scholar and Advaitin
Lecture 51 - Muthuswami Dikshitar Some Other Aspects of his Work.
Lecture 52 - Syama Sastri
Lecture 53 - Tamil Composers before the trinity
Lecture 54 - Post trinity Composers
Lecture 55 - Swathi Tirunal - the Versatile Royal Composer
Lecture 56 - The Romance of Padam and Javali
Lecture 57 - Tillana
Lecture 58 - Improvisation in Carnatic Music - Alapana
Lecture 59 - ALAPANA : Style and Aesthetics
Lecture 60 - Neraval and Swaraprastara
Lecture 61 - TANAM
Lecture 62 - An expostion of Balagopala,a kriti in the rega Bhairavi with alapana, neraval and swaraprastara followed by tani Avartanam
Lecture 63 - Accompaniment in Carnatic Music - The Violin
Lecture 64 - Percussive Accompaniment - the Mridangam
Lecture 65 - Subsidiary Accompaniment - Interaction Among Accompanists
Lecture 66 - Percussion MRIDANGAM
Lecture 67 - Percussion KANJIRA
Lecture 68 - Percussion Ghatam
Lecture 69 - Percussion Morsing
Lecture 70 - Percussion Korvai and Thani Avartanam
Lecture 71 - The Typical carnatic Concert And Ragam Tanam Pallavi - RTP